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hst137

Reflection of Textiles

My experience from this week was definitely different from that of prior weeks. At the start of Week 6, I received all this information about textiles: production, technique, consumption, value, and history. It was a lot to absorb, even now; I am still learning. Throughout the week, I started to pay more attention to my clothes–all different kinds. I looked at my socks, sweaters, T-shirts, blouses, trousers, lounge sets, active wear, pajamas, and more. I stretched and touched the fabric, observing the stretchiness and the technique used to create these pieces of clothing. Compared to other weeks, I was able to include my newfound knowledge about textiles to my daily thoughts.

Furthermore, I learned about the monetary values of certain clothing pieces, depending on the region. I had an obvious realization that I should not interpret the information I learn about early China to all of China. There are likely some discrepancies between regions because while there is a national culture, there is also an equally significant local culture that is unique to each province.

Three Things I Learned this Week

  • Means of yarn production: drop spindle spinning, Navajo spinning, and spinning via the wheel.
  • Different kinds of textiles: simple, complex, and silk.
  • Introduction to dyed textiles; process of degumming.

Bibliographic References

Sheng, Angela. “Determining the Value of Textiles in the Tang Dynasty: In Memory of Professor Denis Twitchett (1925-2006)”. Journal of the Royal Asiatic Society, Third Series, 23, no. 2 (2013): 175-95.

Categories
hst137

My Textile Observations

I put on a “textile specialist” hat this week, observing one of my closet staples to figure out its beginnings–“the fibres, dyes, weave structures and patterns” (Sheng 175).

My short-sleeved, V-neck, button-up cardigan was knitted together. I saw interlocking loops when I stretched the fabric. Around the collar, down the buttons, and around the waist hem, the knit is much tighter; there is the least amount of space between the loops, and those areas feel the most dense. The intermediate knitting is around the sleeves. It has more “give” than the tighter regions. The loosest is along the front and back, taking up the majority of the clothing piece. The fabric feels the thinnest, and I do not have to stretch it to see the interlocking loops. It is made from pure cotton. The cardigan was made in China. I bought it from a clothing store called Cos.

Short-Sleeved Cardigan | Endource
A closet staple from Cos.

I would also like to include that I was initially surprised to read that juan-silk was less important and less convenient as an exchange medium in southern China because of its high value (Sheng 184). It took me awhile, but (of course!) it could be due to regional preferences. In northern China, for example, juan-silk was more significant and functioned as money more frequently.

Bibliographic References

Slides (Gdrive link)

Sheng, Angela. “Determining the Value of Textiles in the Tang Dynasty: In Memory of Professor Denis Twitchett (1925-2006)”. Journal of the Royal Asiatic Society, Third Series, 23, no. 2 (2013): 175-95.

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